Does art help us main­tain a democracy?

As many of you, I enjoy read­ing the Chris­t­ian Sci­ence Mon­i­tor. When Mom was still lucid, we sub­scribed to the news­pa­per. She would devour it and we spent many hours at the kitchen table drink­ing cof­fee and dis­cussing the arti­cles. Mom “got” the inter­net, she tried to blog with me, answered a few emails, learned to google — when in her late 80s — but CSM online or the NYTimes online never truly tripped her trig­ger. I con­fess, it took me some time to get used to hold­ing the MacAir instead of folded huge sheets of newsprint. News­pa­pers can never be replaced. What jour­nal­ists don’t seem to under­stand is that we need them. We must have true, trained pro­fes­sion­als dis­pens­ing infor­ma­tion. Much as we need AP pho­tog­ra­phers and not just you and me and YouTube. (If you don’t agree, take a few min­utes to check the Boston Globe’s ret­ro­spec­tive of Obama’s 167 days. Those kind of pho­tos don’t come from a Sony Cyber­shot, ya’ll)

Today, I began to pon­der art and its func­tion in soci­ety. Much like jour­nal­ists, we need real artists. The fol­low­ing is by Diane Cameron in the Chris­t­ian Sci­ence Mon­i­tor (online, of course, is where I go now to read..)

In the United States, we don’t mur­der artists but we do have cul­tur­ally spe­cific weapons for killing their work: We lower their sta­tus, min­i­mize their con­tri­bu­tions, and we cut their fund­ing. We also belit­tle artists by sug­gest­ing that their opin­ions are irrel­e­vant. It doesn’t make sense.

We accord legit­i­macy to attor­neys and pro­fes­sors, and we let busi­ness lead­ers posit their per­spec­tives on cur­rent affairs, but we deny that respect to those who have the most highly devel­oped skill in sort­ing through rhetoric and images. Con­sider: Was Picasso irrel­e­vant? Tol­stoy? Dos­toyevsky? Solzhenitsyn?

*click on the Diane Cameron link and read the entire edi­to­r­ial. It’s damn spiffy.

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