The Divine Placement of Elemental Objects
While in graduate school, I often read creative non-fiction to better fixate the details of an historic event within the context of its physical and timely occurrence. My field of study, 19th century American history, provided me with inspiration for many of my assemblages.
This week I work on “regions of optical power”. These boxes range in size from 3“x4” to a large circa 1930s suitcase with a wood frame and canvas exterior. My mother-in-law gifted me with the suitcase which has a marvelous flat surface (probably about 18″ x 24″ or a bit more) — perfect for a table top. I’ve enlisted the aid of our new across-the-street neighbor Jimmy who will install carriage bolts to the leg assembly base of the suitcase. Legs from a coffee table built by my father in the 1970s will serve the foundation for this suitcase table. Inside the case, the divine placement of elemental objects will begin.
The regions of optical power boxes began when Momma went into the nursing home. The object is to give her hand-size or easily held pieces to consider. At 91 years of age, she offers me detailed insights and a unique perspectives as she considers each piece. It occurred to me, early this morning, that her dementia creates an “ephemeric mind” able to delve into fleeting memory bits and permanent recollections of her past. Her interpretation or discussions about my assemblages reminds me of the “about” statement of the Ephemera: Theory and Politics in Organization journal:
ephemera [the journal] counters the current hegemonization of social theory and operates at the borders of organization studies in that it continuously seeks to question what organization studies is and what it can become. ”
My working mental state reflects my personal social theories. I see who I am in that definition. An Assemblagist creates: art that interprets what organization is and what is can become.
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